{"id":4421,"date":"2021-02-18T08:55:00","date_gmt":"2021-02-18T08:55:00","guid":{"rendered":"https:\/\/www.kreisky-forum.org\/veranstaltung\/kunst-kultur-revolution"},"modified":"2025-12-03T11:00:13","modified_gmt":"2025-12-03T11:00:13","slug":"art-culture-revolution","status":"publish","type":"kreisky_event","link":"https:\/\/www.kreisky-forum.org\/en\/veranstaltung\/kunst-kultur-revolution","title":{"rendered":"ART. CULTURE. REVOLUTION"},"content":{"rendered":"<p><strong><a href=\"https:\/\/us02web.zoom.us\/j\/85372255415\">ZOOM Live Talk<\/a>\/<a href=\"about:blank\">FACEBOOK Live<\/a><\/strong><\/p>\n<h4><strong>Milo Rau in conversation with Robert Misik<\/strong><\/h4>\n<p>Social change and revolutions in the zeitgeist have always been accompanied by aesthetic upheavals, by a sense of beginnings in the arts and by radical utopias - or rather: they preceded them. But what can radical art still do today?<br \/>\nCrossing boundaries and provocations can hardly be provocative today; they often serve as entertainment in a capitalist commercial culture. Direct, radical political art is easily suspected of being agitprop. Or it simply serves to entertain an audience that believes itself to be critical.<\/p>\n<p>For around two decades now, the exceptional artist Milo Rau has been opening new doors for radical, political art. His political radicalism is so explicit that he escapes the entertainment trap; in developing new, previously unknown styles, he succeeds in creating new situations in which relevant new things happen.<br \/>\nIn conversation with Robert Misik, the theatre maker, author and filmmaker explores what art can contribute to changing the world - especially with regard to a tabula rasa in the post-corona era.<\/p>\n<p><strong>Milo Rau<\/strong>, 44, is probably the most innovative and interesting theatre director in Europe today. He has been the director of the Dutch Theatre Ghent since 2018, before which - and to this day - he developed gripping and often disturbing productions with his \u201eInternational Institute of Political Murder\u201c. One of his early sensations was \u201eHate Radio\u201c about the civil war in Rwanda. Productions such as the \u201eMoscow Trials\u201c, the \u201eZurich Trials\u201c and the \u201eCongo Tribunal\u201c combine realistic documentation and theatrical staging. He triumphed at the Vienna Festival 2019 with \u201eOrest in Mosul\u201c. Most recently, he caused a stir with \u201eThe New Gospel\u201c, a cinematic \u201edocudrama\u201c of a very special kind. He has realised around 50 major productions to date.  In 2017, he was voted \u201eDirector of the Year\u201c by a jury of German critics.<\/p>\n<p>Moderation <strong>Robert Misik<\/strong>, Author and journalist<\/p>","protected":false},"excerpt":{"rendered":"<p>ZOOM Live Talk\/FACEBOOK Live Milo Rau im Gespr\u00e4ch mit Robert Misik Gesellschaftlicher Wandel und Revolutionen des Zeitgeistes waren immer auch von \u00e4sthetischen Umbr\u00fcchen, von einem Beginnergef\u00fchl in den K\u00fcnsten und von radikalen Utopien begleitet \u2013 oder besser: Sie gingen ihnen voran. Aber was kann radikale Kunst heute noch? Grenz\u00fcberschreitungen und Provokationen k\u00f6nnen heute kaum mehr [&hellip;]<\/p>\n","protected":false},"featured_media":4422,"template":"","format":[29],"meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"schwerpunkt":[42],"class_list":["post-4421","kreisky_event","type-kreisky_event","status-publish","has-post-thumbnail","hentry","schwerpunkt-arbeit-wirtschaft-und-soziales","format-podiumsdiskussion"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KUNST. KULTUR. REVOLUTION - Kreisky Forum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kreisky-forum.org\/en\/event\/art-culture-revolution\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KUNST. KULTUR. REVOLUTION - Kreisky Forum\" \/>\n<meta property=\"og:description\" content=\"ZOOM Live Talk\/FACEBOOK Live Milo Rau im Gespr\u00e4ch mit Robert Misik Gesellschaftlicher Wandel und Revolutionen des Zeitgeistes waren immer auch von \u00e4sthetischen Umbr\u00fcchen, von einem Beginnergef\u00fchl in den K\u00fcnsten und von radikalen Utopien begleitet \u2013 oder besser: Sie gingen ihnen voran. Aber was kann radikale Kunst heute noch? 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